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Complete Electronic Music Production For Edm Music Producers - Panter - 12.12.2022 Complete Electronic Music Production For Edm Music Producers Last updated 12/2020 MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz Language: English | Size: 10.50 GB | Duration: 15h 21m EDM: Learn professional electronic music production techniques from an expert electronic music producer - produce EDM! What you'll learn Compose and arrange a professional-sounding EDM track Set up a project for optimal workflow and flawless composition Create all elements of EDM including drum patterns, chord patterns, and bass-lines Principal synthesis and synthesiser techniques (ADSR, LFO, Modulation, etc.) Vocal Processing: Doubling, Vocoders, Formant Shifting Arrangement Tips and Secrets to take EDM tracks to the next level Advanced mixing and mastering techniques to get your track signed by labels (phase cancellation, EQ, Compression, etc.) The Intensity Graph Concept for EDM production The Hidden Truth with Compression for EDM Requirements Have FL Studio, OR the ability to use another DAW (Digital Audio Workstation) Minimal music theory (understand beats & bars, very basic chords & scales) A desire to produce professional EDM tracks Description Whether you're a beginner, intermediate, or an expert producer, this course will teach you fresh and new techniques to take your EDM productions to the next level. After all, we're never truly finished learning - there's always something around the corner that we never saw coming! What will you gain from completing the courseUnderstand how EDM is structured, and the musical principles its based upon (binary phrasing, energy, etc.) Effectively structure and arrange a track for optimal flowSet up your project for good workflow Optimise your DAW's buffer length/size and set the correct sample rate for your projectBe aware of swing time and how it can benefit your productionsHow to properly choose layers and build full and fat drum patterns, chord patterns, Leads, vocals, etc. Be able to use automation and panning to create interest for the listenerTune audio to the correct key of your trackManipulate sounds by means of time stretching, formant shifting, vocoding, etc. Tweak and design your own synthesiser sounds using ADSR, Filters, VCO, LFO, etc.Create full and professional transitions that don't disrupt the flow Be aware of driving elements and intensity line graphsHow to prepare your project for a full mixdownMix an EDM track using EQ, Compression, Saturation, etc.Use plugins to achieve stereo width and depthSidechain elements to each other, including effectsLocate and correct phase issues in your trackAccess to an exclusive Facebook group of fellow students. Receive feedback, engaging discussions, and more!Master your track to the correct LUFS levels for streaming sites such as Spotify, YouTube, Deezer, etc.Additional Content:How to correctly hunt for labels and send your demos Various PDFs and links to additional reading/study3 intensive projects so I can see how well you understand the material, and give you feedback to improve your productions I share everything I know with youEverything I teach you in this course has taken me years to learn. You're gaining 10+ years of music production knowledge in one complete course. The music industry is an extremely closed and competitive one. I don't think that's fair. If more producers were aware of the production secrets behind professional tracks, we'd have a lot more talented musicians in the EDM community! What's in it for me?Personally, I dislike the competitive community that music producers find themselves in. I want to share my knowledge with other producers so that they may grow, learn, and teach me new techniques as well. I also have a passion for teaching, and whenever I see a student succeed with something, it gives me a great feeling - like an addiction! Requirements:You will need to have a DAW (FL Studio, Ableton, GarageBand) and an ability to use the software to practice the techniques I teach you. You will also need to have a very basic understanding of music theory. Throughout the course, we are tuning our samples and composing chord patterns, which involves knowing the difference between major and minor, and also how notes relate to each other on the scale. For example, 'G' is the 5th note of the 'C' chord. So if you're ready to learn professional electronic music production, theory, composition, mixing, and mastering, buy the course and take your skills to the next level. There is a 30-day money back guarantee, so if you dislike the course, you can receive a full refund. There really is nothing to lose! Overview Section 1: Introduction & Course Overview Lecture 1 Introduction & Course Overview Section 2: Structure & Project Set-up Lecture 2 Characteristics of EDM Lecture 3 Breaking Down EDM Structure (Part 1) Lecture 4 Breaking Down EDM Structure (Part 2) Lecture 5 Setting Up Your Project Lecture 6 Optimising Your DAW Section 3: Building Drums Lecture 7 Using Swing Lecture 8 Main Elements of EDM Drums Lecture 9 Finding Suitable Drum Samples Lecture 10 Constructing a Drum Pattern Lecture 11 Using Panning Lecture 12 Automating Parameters Lecture 13 Tuning Drum Samples Lecture 14 Manipulating Drum Samples Section 4: Building Chords Lecture 15 Constructing Chord Patterns Lecture 16 Choosing Instruments for Chords Section 5: Making & Modifying Synthesisers Lecture 17 Introduction to This Section Lecture 18 Synthesiser Components Lecture 19 Tweaking Synthesisers Lecture 20 Making Your Own Synth Sounds Section 6: Building Bass Lecture 21 Main Elements of EDM Bass Lecture 22 Constructing a Bass Pattern Lecture 23 Choosing Bass Sounds Lecture 24 Making Bass Sounds Section 7: Building Leads Lecture 25 Main Elements of EDM Leads Lecture 26 Constructing Lead Patterns Lecture 27 Choosing Lead Sounds Lecture 28 Making Lead Sounds Section 8: Building Pads & Strings Lecture 29 Pads vs. Strings Lecture 30 Choosing Pad Sounds Lecture 31 Making Pad Sounds Lecture 32 Choosing String Instruments Lecture 33 Synthesised Strings Section 9: Using Loops Lecture 34 Internal vs. External Loops Lecture 35 Using External Loops Lecture 36 Adding Variation to Internal Loops Section 10: Effects for EDM Lecture 37 Main Elements of EDM Effects Lecture 38 Choosing Effects Lecture 39 Making Effects Section 11: Vocals Lecture 40 Introduction to Vocals for EDM Lecture 41 Vocal Phrases Lecture 42 Vocal Hooks Lecture 43 Vocal Loops Lecture 44 Vocal Chops Lecture 45 Sampled Vocals Section 12: Manipulating Vocals Lecture 46 Introduction to This Section Lecture 47 Formant Shifting Lecture 48 Vocoders Lecture 49 Vocal Doubling Lecture 50 Vocal Layers Section 13: Points of Note Lecture 51 Points of Note Section 14: Transitions Lecture 52 Transitions in EDM Lecture 53 The Easiest Transition Lecture 54 Drum Fills Lecture 55 Vocal Shouts Lecture 56 Instrumental Transitions Lecture 57 Silence as a Transition Lecture 58 The Big Hit Lecture 59 Effect Transitions Lecture 60 A Combonation Transition Section 15: Filler Elements & Extra Lecture 61 Using Filler & Extra Lecture 62 External Loops as Filler & Extra Lecture 63 Tone & Drop Blasters Lecture 64 Synths as Filler & Extra Lecture 65 Effects as Filler & Extra Lecture 66 The Reverb Swell Section 16: PROJECT 1 - Mini Track Lecture 67 The Mini Project Section 17: Arrangement Tips for Professional Sound Lecture 68 Introduction to Arrangement Lecture 69 Driving Elements Lecture 70 The Intensity Line Graph Lecture 71 Forming the Main Idea Lecture 72 Where to Start Section 18: Preparing for Mixdown Lecture 73 Preparing for Mixdown Section 19: Before we Begin the Mixing Section Lecture 74 Introduction to Mixing Section 20: Equalisation Lecture 75 EQ for Mixing Lecture 76 How to Use EQ Lecture 77 The Presence Zone Lecture 78 EQ for Instruments (Part 1) Lecture 79 EQ for Instruments (Part 2) Lecture 80 EQ for Bass Lecture 81 EQ for Drums Lecture 82 EQ for Vocals Lecture 83 Using EQ for Effect Lecture 84 Mid/Side EQ Section 21: Compression & Limiting Lecture 85 Compression for Mixing Lecture 86 Determining When to use Compression Lecture 87 How to use Compression Lecture 88 Compression for Instruments Lecture 89 Compression for Bass Lecture 90 Compression for Drums Lecture 91 Compression for Vocals Lecture 92 Glue Compression (Bus Compression) Lecture 93 Multiband Compression Lecture 94 Limiters Lecture 95 The Misconstrued Truth with Compression for EDM Section 22: Saturation Lecture 96 Saturation for Mixing Lecture 97 How to use Saturation Lecture 98 Saturation for Instruments Lecture 99 Saturation for Bass Lecture 100 Saturation for Drums Lecture 101 Saturation for Vocals Section 23: Reverb Lecture 102 Reverb for Mixing Lecture 103 How to use Reverb Section 24: Delay Lecture 104 Delay for MIxing Lecture 105 How to use Delay Lecture 106 Slapback Delay Lecture 107 Adding Effects to Delays Section 25: Stereo Imaging Lecture 108 Stereo Imaging for Mixing Lecture 109 Using Panning for Wide Mixes Lecture 110 Using the Haas Effect (Precedence Effect) Lecture 111 Microshifting Lecture 112 Using Reverb/Delay for Depth Lecture 113 Using Stereo Enhancing Plugins Lecture 114 Stereo Imaging for Low Frequencies Section 26: Phase Lecture 115 Phase for Mixing Lecture 116 Locating & Correcting Phase Issues Lecture 117 Phase Issues: Follow-Up Section 27: Sidechaining Lecture 118 Using Sidechain for Mixing Lecture 119 Using Sidechain Compression for Volume Control Lecture 120 Using Sidechain Compression for Effect Control Lecture 121 Using Sidechain Compression for Ducking Lecture 122 Peak Controlling (Other DAWs Can Mimic This - See PDF) Section 28: Extra Effects Lecture 123 Extra Effects for Mixing Lecture 124 Phasers Lecture 125 Flangers Lecture 126 Chorus Lecture 127 Filters Section 29: Mixing Technique Lecture 128 Using the Mixer for Stereo Separation (FL Studio Only) Lecture 129 How to Mix Fader Levels Section 30: PROJECT 2 - Mixing Project Lecture 130 Mixing Project Section 31: Essential Mastering Lecture 131 Introduction to Essential Mastering Lecture 132 EQ for Mastering Lecture 133 Compression for Mastering Lecture 134 Stereo Enhancers for Mastering Lecture 135 Limiters for Mastering Lecture 136 Checking the Track's Levels Lecture 137 Rendering The Final Track Section 32: PROJECT 3 - The Big Project Lecture 138 The Big Project Section 33: Wrap Up Lecture 139 The Valediction Section 34: Extra Tip! Lecture 140 Sending your Tracks to Record Labels Beginner producers who want to get a professional sound quickly,Intermediate/Expert producers who can't figure out what their tracks are missing,Expert producers looking for fresh tips and techniques Download from RapidGator Download from DDownload Archive Password: "Name of the Old Continent" [First Letter Capital] |