Ableton Live 11 Suite v11.3.2 U2B + Intel (Mac OS X)

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Ableton Live 11 Suite v11.3.2 U2B + Intel (Mac OS X)
Intel 2.96 GB | Universal 3.23 GB
Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features-everything you need to make any kind of music.

A partial list of what's new in Live 11 includes
Comping
Comping - Live organizes multiple passes of an audio or MIDI performance into individual takes. The best parts of these takes can be stitched together for the final result.
Linked-track editing - Link two or more tracks to edit their content simultaneously.

MIDI Polyphonic Expression
MPE support - Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.
Expression View - Edit the pitch, slide and pressure envelopes of each note to refine the expression in your music.
MPE-capable native devices - Wavetable, Sampler and Arpeggiator are updated to support MPE.

New devices
Hybrid Reverb - Combines convolution and algorithmic reverbs, making it possible to create any space, from accurate real-life environments to those that defy physical reality.
Spectral Resonator - Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways.
Spectral Time - Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects.
Inspired by Nature - Six playful instruments and effects that use nature and physics as their inspiration. Made in collaboration with Dillon Bastan.
PitchLoop89 - Creates jittery glitch effects, delayed digital shimmers and outlandish vibrato. Made in collaboration with Robert Henke.

Features for the stage
Live Tempo Following - Live listens to and adjusts its tempo based on incoming audio in real time.
Macro Snapshots - Store the state of Macros for later recall.
Rack improvements - Racks can be configured to have between 1 and 16 Macros, Macro states can be randomized with the push of a button.

Tools to add chance
Note chance - Sets the probability that a note or drum hit will occur.
Velocity chance - Defines ranges for velocity probability for subtle, humanized variations in dynamics.
Improved Follow Actions - Follow Actions can now be linked to the clip length, be set to jump to specific clips and be enabled and disabled globally. Scene Follow Actions make evolving arrangements possible.

New sounds
Voice Box, Mood Reel and Drone Lab are Ableton-designed Packs that each explore the spectrum of a specific sound palette.
Upright Piano, Brass Quartet and String Quartet are three Packs created in collaboration with Spitfire Audio that capture popular orchestral instrument combinations in intimate detail.

Changes to Push
Live 11 also brings new functionality to Ableton's Push hardware instrument
Visualizations for new devices - See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push's color display and control them directly from the hardware.
Key and Scale sync - The new Key and Scale feature in Live 11 is linked to Push and can be changed per clip.
Polyphonic aftertouch support - Apply different levels of aftertouch to individual notes when using Wavetable, Sampler, and Arpeggiator for more nuanced and dynamic performances on Push.
See up to 16 Macros - Access Macros 9-16 from a second page after the Rack page with Macros 1-8.

Changes to Push
Live 11 also brings new functionality to Ableton's Push hardware instrument
Visualizations for new devices - See visualizations of key parameters in Hybrid Reverb, Spectral Resonator and Spectral Time on Push's color display and control them directly from the hardware.
Key and Scale sync - The new Key and Scale feature in Live 11 is linked to Push and can be changed per clip.
Polyphonic aftertouch support - Apply different levels of aftertouch to individual notes when using Wavetable, Sampler, and Arpeggiator for more nuanced and dynamic performances on Push.
See up to 16 Macros - Access Macros 9-16 from a second page after the Rack page with Macros 1-8.

Changelog

11.3.2 Release Notes
New features and improvements
Auto-Warp Improvements
Live now uses a new Auto-Warp algorithm. Both downbeat and tempo variations are more accurately analyzed, making it possible to work with longer samples and entire songs without the need for manual warping in most cases.
To run the new Auto-Warp algorithm on clips within an existing Live Set, use any of the Warp From Here commands (found in the Sample Editor's context menu) from any location in a clip.
Cloud in Live
Song updates made to a synced Note Set will download more quickly to Live, under certain circumstances.
Song updates made to a synced Note Set that is currently open on Windows and has not been saved using the Collect All and Save option will no longer cause a download to fail and retry endlessly.
Samples that are no longer used by a Set.abl file will not be displayed under that Set within the browser's Cloud label.

Fixed a bug that caused the Analog device's amplifier envelope to ignore the release phase when its Free Run Mode switch was enabled.
Previously, when pressing the Cancel button in the "This action will stop audio. Proceed?" dialog that appears during the Collect All and Save process, the current Set would be moved into the respective Backup folder.
Fixed an issue in the Multiband Dynamics device that would cause its band meters to flicker when used with certain VST plug-ins.
Fixed a bug that caused Live to switch to "Use System Device: No Device" after disconnecting wired headphones while the "Use System Device" setting was enabled.
When using an incompatible device with the "Use System Device" setting active, Live no longer stays connected to the device and instead switches audio devices to "No Device" as indicated in the warning dialog.
Fixed a crash that occurred after canceling a package installation.
Fixed a regression which prevented the Note Echo device from working correctly with MPE.
Fixed a crash that occurred when receiving a call while using AirPods as audio output device.
Fixed a crash that would sometimes occur if loading sample chunks took a long time.
The MIDI input ports of the APC Key 25 mk2 and APC Mini mk2 controllers are now visible in Live's Link/Tempo/MIDI preferences, which allows these controllers to be used for MIDI mapping.
Fixed a performance issue in Sets with many particular VST3 plug-ins, that caused the UI to lag or become unresponsive.
Fixed a typo in the French translation of the Quantize dialog window.
Fixed a bug that allowed dropping a Rack chain containing only audio effects on an audio track header, which caused Live to crash.
Per-track performance impact meters now use less graphics-rendering resources.
Max for Live Bugfixes
Fixed a crash that occurred when running the duplicate_clip_slot function on return tracks or the Master track with Max for Live.
Fixed a crash that occurred when running the duplicate_clip_to_arrangement function on an Arrangement clip using the same start time as the original.
Fixed a bug which allowed users to run the duplicate_clip_to_arrangement function with negative start time.
Fixed a bug in the MPE Control device that prevented Sustain Messages from working.
Fixed a bug in the Expression Control device that prevented Global Aftertouch from working as expected, under certain conditions.
Fixed a bug in the Shaper MIDI device that caused its envelope to be triggered once a Note Off message was sent.
Fixed a bug in the Shaper device which caused some UI elements to be inconsistent with Live's color palette when using Dark Theme.
Fixed a bug that caused sound to cut off while triggering the DS Cymbal device and adjusting its Decay parameter.

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